Alison Mosshart and Jamie Hince spent a majority of time onstage separated by several feet Friday at a near-capacity Riviera. Yet the two members of the Kills reacted to one another’s movements as if joined at the hip, their bond yielding interpretive choreographic showmanship that could’ve passed as part of a Hubbard Street Dance performance. Resembling lovers who remain in an unhealthy relationship simply to get on the other’s nerves, the pair seized on a distorted melange of mangled blues and convulsing art-rock to convey a dangerous sexual dynamic.

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The Kills review: Mosshart, Hince display their savage desires